Essays, interviews, archives, and video resources on early cinema — curated reading on films, directors, and movements across the silent and early sound eras.
940 resources
SFSFF editor · San Francisco Silent Film Festival
15 MAY 2013
Robert Byrne · San Francisco Silent Film Festival
08 JAN 2008
Shari Kizirian · San Francisco Silent Film Festival
08 JAN 2007
Stacey Wisnia and Stephen Salmons · San Francisco Silent Film Festival
08 JAN 2006
1998 documentary about the life of Louise Brooks, created by Hugh Munro Neely. Narrated by Shirley MacLaine and featuring numerous interviews with friends and relatives of the legendary star, it also contains excerpts from many of her films including her first on-screen appearance.
Hugh Munro Neely
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Review by Kyle Westphal
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Mabel Normand scored a smash hit with this feature-length comedy about a mining camp brat who goes to live in the big city. Chaos ensues but you knew that already.
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Jack Miller argues that Dovzhenko’s Earth represents a radically non-narrative alternative to Eisenstein’s dialectical montage, treating its agrarian subjects and the natural world as monumental, painterly presences rather than characters in a story.
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Cara Marisa Deleon explores the tension between the film’s progressive ideals and its deeply patriarchal treatment of its female characters
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Festival resource on Vidor's romantic tragedy and Gish's acclaimed performance.
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Festival resource on Hitchcock's directorial debut and early thematic concerns.
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Festival documentation of Keaton's personal favorite and commercially successful comedy.
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Essay examining Ozu's distinctive editing and compositional techniques in this family comedy.
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Essay on Dreyer's dreamlike approach to horror and psychological terror in his first sound film.
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Festival resource on Browning's unique approach to grotesque cinema.
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Festival resource on Garbo and Gilbert's chemistry and film legacy.
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Academic essay analyzing themes of desertion and redemption across film adaptations of Hemingway's novel.
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Critical analysis of how the film navigated Hays Code restrictions while exploring human weakness.
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Essay on Bette Davis's groundbreaking performance and the film's dark portrayal of obsession.
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